Colorfield Painting
US American, 20th/21st century
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| Kenneth Noland | |
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Born 1924 in Asheville, North Carolina Colorfield Painting US American, 20th/21st century |
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| 1946 – 1948 | Study at Black Mountain College, North Carolina; Kenneth Noland joins the painting program with Josef Albers |
| 1949 | Kenneth Noland works at the studio of the sculptor Ossip Zadkine in Paris; First solo exhibition at Gallery Creuze, Paris |
| 1949 – 1960 | Kenneth Noland teaches among others at Institute of Contemporary Art, Washington 1949-1951; Catholic University, Washington 1951-1960; Washington Workshop Center of the Arts 1952-1956 |
| 1951 | Dubin Gallery, Philadelphia |
| 1958 | Tibor de Nagy Gallery, New York; Jefferson Place Gallery, Washington |
| 1963 | Kasmin Ltd., London; André Emmerich Gallery, New York; Galerie Lawrence, Paris |
| 1964 | Galerie Alfred Schmela, Dusseldorf; Group exhibitions: The Tate Gallery: Painting and Sculpture of a Decade 1954-1964, London; Museum of Modern Art: The Responsive Eye, New York |
| 1965 | Group exhibition, Fogg Art Museum: Three American Painters, Noland, Olitski, Stella, Cambridge |
| 1968 | Group exhibition, documenta 4, Kassel |
| 1969 | Group exhibition, Metropolitan Museum of Art: New York Painting and Sculpture 1940-1970, New York |
| 1971 | Group exhibition, Whitney Museum of American Art: The Structure of Color, New York |
| 1976 | Leo Castelli Gallery, New York; David Mirvish Gallery Toronto; Galerie Wentzel, Hamburg |
| 1977 | Member of the American Academy and Institute of Arts and Letters, New York; Solomon R. Guggenheim Museum: Kenneth Noland, A Retrospective, New York |
| 1979 | Galerie André Emmerich, Zurich |
| 1982 | Visual Arts Museum of Art, New York |
| 1984 | Galerie Joan Prats, New York; Galerie Wentzel, Cologne; Galerie Reinhard Onnasch, Berlin |
| 1985 | Milton-Avery-Professorship at Bard College, Annandale-on-Hudson; Group exhibitions: Edith C. Blum Art Institute, Bard College: Contemporary Monotypes, Annandale-on-Hudson; The Fort Worth Art Museum: Grand Compositions, Selections from the Collection of David Mirvish, Fort Worth; Museum of Modern Art: Recent Acquisitions, New York; Museum of Contemporary Art: Selections from the William J. Hokin Collection, Chicago |
| 1989 | Salander-O´Reilly Galleries: Kenneth Noland, Paintings 1958-1989, New York |
| 1994 | The Museum of Fine Arts: Kenneth Noland, The Circle Paintings 1956-1963, Houston |
| 1995 | Leo Castelli Gallery: Kenneth Noland, A Selection of Paintings, New York |
| 1997 | Doctor of Fine Arts, Davidson College, Davidson |
| 1998 | André Emmerich Gallery: Kenneth Noland Circles, New York |
| 2000 | Ameringer Howard Gallery, New York; Bernard Jacobson Gallery, London; Metta Galeria, Madrid |
| 2001 | Bernard Jacobson Gallery, London; Paul Kasim, New York; PacePrints, NewYork; Southern Vermont Art Center, Manchester |
| 2002 | Ameringer Howard Fine Arts Gallery, New York; Farnsworth Art Museum: Kenneth Noland, Themes and Variations, Maine |
| 2004 | Museum of Fine Arts: Kenneth Noland, The Nature of Color, Houston; Group exhibition, Neue Nationalgalerie: Das MoMA in Berlin, Berlin |
| 2005 | Group exhibition, Museion - Museum für Moderne und Zeitgenössische Kunst: The Perception of the Horizontal, Bozen |
| 2006 | ZKM-Zentrum für Kunst und Medientechnologie: FASTER! BIGGER! BETTER!, Karlsruhe |
| 2007 | EL SOURDOG HEX: Morris Louis, Kenneth Noland, Colorfield Painting, (paintings 1954-1963), Berlin; Group exhibition, Staatliche Kunsthalle Baden-Baden, Who´s Afraid of Red, Yellow and Blue? Positionen der Farbfeldmalerei, Baden-Baden |
| 2008 | Group exhibitons: Grey Art Gallery: New York Cool, New York; Jewish Museum: Action/Abstraction, New York; Langen Foundation: Tradition und Moderne im Dialog, Neuss; FRIST: Color as Field – American Painting, 1950-1975, Nashville; Art Gallery of Alberta: Seeing through Modernism, Edmonton |
| 2009 | Saint Louis Art Museum: Action/Abstraction, St. Louis; Albright-Knox Gallery: Action/Abstraction, Buffalo |